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Power In Progress : An interview with froSkate for Issue 006

When it comes to building a community in skateboarding, we have a lot to learn from the directors of froSkate. Founded by Karlie Thorton, froSkate is a Womyn and POC–centered skate crew based in Chicago. It took less than an hour for me to be fully convinced that Karlie and her Co-Coordinator, L.Brew are the key to the future of skateboarding. While issues of racism in this country have come front and center this year, froSkate has not missed a beat when it comes to continually pushing and developing the visibility around people of color in skateboarding. Their voice demonstrates that authenticity is key in building a foundation of any initiative. As companies search for the answer to diversity in skateboarding–froSkate has rightfully taken up the conversation.

This article and photos appear in full exclusively in Quell Skateboarding Issue 006 – Buy a copy here.


Where are you from? How did you start skateboarding? What inspired you to keep going? 

KARLIE THORTON: I’m from St. Louis, I started skating last year towards April 2019. I was always inspired by skateboarding and I had friends that skated, of course we all did. I would go to the indoor skate park and watch them skate but that was as far as it got. It wasn’t until I met OJ, my co worker and he introduced me to Tiffany Johnson. They pushed me to start skating, pushed me on a skateboard and really got me into it. I owe a lot to them. That’s really similarly how I started, and then started again. 

L.BREW: I am also from St. Louis and I started skating five years ago. I had a friend who did and I thought he looked super dope and thought I wanted to do that too My older friend gave me their board and I taught myself. He would take me to the skate parks now and again but I didn’t know how to do anything so I would hang out in the parking lot. I moved here and met froSkate and that’s really what helped me develop because I was with a community. I really love it and it’s just only gotten better since I found my people. 

So when was froSkate started? 

KT: froSkate was started a month after I started skating. The guys that would invite me to their nights were pro level skaters which was amazing to see but I felt like I was in their way. I’m trying to learn how to push and they’re doing the craziest shit...I wanted to learn with people who look like me and are on a similar level. I started to reach out to homies who were interested and we started to skate. People would hit us up and it got bigger and bigger so I made a separate Instagram for skating because it would be easier to post. 

Then we did events, weekly meetups and just hang out beyond the skate park. That’s really what established it to what it is today. 

What is the more typical froSkate programming?

 KT: It’s a lot more sketch now that COVID is here. We don’t have many actual meetups this year. If we did have one, it’s rare maybe once every other month. Now, everyone’s required to wear a mask, keep a distance. Or we’re having a civil engagement like outreach or the protest. We do have a group chat with the core froSkate members where we go skate random days together on a more intimate level but that’s what it’s looking like right now.

Obviously Karlie, you were mentioning in the beginning of froSkate, the community was built through your Instagram. How has your community changed between now and then?

KT: In the beginning, we started with three people. One of our members tweeted about us and it went viral. After a couple of months we basically would take over the whole skate park with like 30-40 people at the meetups. We had a meetup a couple months ago that we announced the day of and we had 40 people show up. We’re having a meeting next Monday so we’ll probably have maybe 60 people. Since the protest - we had a turnout of a couple thousand people. Our online presence in one month jumped from 4K to 10K. 

I think it’s so important everything you guys are doing. One of the things that drives us at Quell is visibility and obviously if you don’t see someone that looks like you or is doing what you’re doing– you’re less inclined to go after it. 

Why do you feel like it’s important that organizations like froSkate exist? 

KT: Representation really does matter. Kind of like you mentioned before, not seeing yourself can discourage you from doing it in the first place. Probably why I didn’t pick up skating in the first place. It’s just so important for people to go into skate parks and be a body in that way. I’m loving the other small groups that are popping up and other meetups in turn because it’s inspiring people to pick it up. 

LB: Representation is a huge part. One of the biggest things that got me into skating is that I didn’t see people who looked like me and I tend to be drawn to situations and spaces where I feel like someone has to start that work. At the point we are now, I feel like we have created this image so that there are younger people who look like us who can see us and know they can have that. I didn’t have that, I didn’t see Black and brown female skaters growing up what so ever. I think froSkate has done a lot of work in making that representation visible so that younger generations have people to look up to. 

Totally, and I think it’s paying off. I know obviously you, L.Brew, found froSkate after the fact. What drove you to go to froSkate events as someone who wasn’t initially part of the organization?

LB: I moved here about three years ago and I was skating around the city myself. I think the most important thing about froSkate was that there was space made so that we could all congregate. We were all over the city but we never came across each other. My brother actually just randomly sent me their Instagram and was like, “Yo have you seen this? There’s a Black girl skate crew here.” I DM’d them and went to the next meetup. It was kind of nerve wrecking for me at first because I’m a shy person. I showed up and was like ‘Damn, all of y’all have been here the whole time?’. That was massively important to me. I really feel like it filled this hole, I don’t want to be too dramatic but I found people who looked like me, had the same interests as me, that was just something I haven’t had until froSkate. 

That’s so incredible. Were you usually going to the same park that the meetups were or was it more random? 

LB: I never went to skate parks before froSkate. I very much was a street skater and high key a big part was where I could find that I could be unseen. Every time people would see me on a board they would say something. There was this one guy, I was stopped at a red light and he asked me what I was doing. I said what are you talking about? And he’s like I’ve never seen a vw girl on a skateboard. It was very hard for me to feel like I could be seen without being judged. 

Yeah I mean even as a beginner, it’s so difficult to show up to a skate park even if you don’t know people. To you Karlie, we both started our organizations as beginner skateboarders and know how important it is to make that space comfortable for all levels of skateboarders. How does froSkate create that space? 

KT: We get SO many DM’s about being beginners. Everyone will teach you. I think since the beginning, a lot of us are just very nice people and we’re able to relate on a whole other level to beginners anyway. 

Do you feel as women, that comes more naturally? 

KT: YES. That definitely does help. I feel like your community is very parallel to ours in which beginners help beginners. Everyone is willing to step in and communicate. 

It feels like there’s a deep want for everyone to succeed in and out of skateboarding, but skateboarding is always the catalyst. 

KT: You get that support from us but also froSkate has helped me realize that everyone else at the skate park wants to help you succeed and not judge you for being a beginner. They think it’s so dope you’re just pushing or trying to ollie. You just realize all the fear was in your head...unless you’re at a douchey skate park. Somehow fourteen-year-olds are the meanest people alive. 

I wanted to talk to you guys about a couple of your quotes that I see pop up a lot in your feed and posters. One of them being: “Falling is easier when it’s with friends.”, That’s such an uplifting message of community. What does community mean to you? 

LB: The falling aspect is 100% is having a community that’s there to support you. I think one of the biggest things is that people are scared to fall or how they’ll look. No matter what level you’re at you’re going to fall– if you just started or you’re Tony Hawk. It’s just the aspect that having a community who you trust with the addition of people who look like you who can help you stand up when you need to. 

KT: Just like L.Brew said, it’s just like support and having the community there to push you to be your best self. Beyond the skate park and skateboarding we are there for each other and push each other to use our skills in the best way we can. If you’re a DJ...okay how about you DJ one of our events. Just like L.Brew, oh you’re a writer...write our emails and now you’re our Co-coordinator. 

I couldn’t agree more. It’s really powerful and seems so organic to talk to you guys about this community you’re building. The power of the community that you’ve put together through skateboarding is so strong. I wanted to ask from another vantage point, how can white skaters support the development of communities of Black and brown people in skateboarding? 

KT: I think definitely through supporting us. Buying our merch when it drops. Rocking our stuff. People have asked me if I’m white and I wear a Black skaters matter merch or support your crew. That’s helping us. In certain areas we do need white allies, so it’s also being there for us. Making space for us at the skate park. If you see someone getting harassed and you in your soul feel like that doesn’t sit right that is not sitting right with the person experiencing it and sometimes they can’t speak up for themselves so it’s using yourself to be that body if they want you to speak up for them...but ask permission first. If we ask, teach us. Be yourself and friendly but just don’t be racist. Include us, invite us into your spaces. 

Chicago has become such an epicenter for the protests against police brutality sparked from the tragedies of George Floyd, Ahmaud Arbery and Breonna Taylor. What does the Black Lives Matter movement mean to you?

KT: Well I think that as Black people the movement is very personal to us. It was all sparked at a very important age for both of us. I was 12 when Treyvon Martin was murdered. There is the addition of being from St. Louis living so close to Ferguson where Mike Brown was killed...you can’t really ignore that. I don’t know if there’s any person in St. Louis who doesn’t remember that. 

LB: It’s a hard question for me to answer because it’s something we deal with all day every day and our ancestors have dealt with for a long time. I’m happy that we’re finally uprising and that people are finally “waking up”. I’m happy to see that we’re fighting back and not being so comfortable and thawe’re being educated on what’s going on. We’re trying to dead bad habits and generational trauma. We’re dissecting and changing things. I love that but there’s a large part of me that feels it’s performative and that angers me. We’ve been telling you for years that this has been happening. 

First of all, thank you both for sharing that. I know it’s really important to make this space to actually hear what people of color have to say about these things. I have my own platform through Quell and we have the ability to step back and actually listen and learn how to be better allies, people, skaters. The power that you guys wield is amazing. I wanted to talk more about the protest too. You mentioned earlier thousands of people showed up. How did you start organizing that and what drove actually planning a protest? 

KT: I have always been involved in social justice issues. I have attended quite a few protests that were led by Black Lives Matter Chi, Black Abolitionist network and other organizations. I was able to witness what a protest should look like and learn from them. I really wanted to make sure that months down from when everything popped off that people continue to protest. We saw there was a rolling protest in Pittsburgh and I was like oh I guess we could but I want it to be intentional. 

LB: I feel like a big aspect of my desire is person but also just caring for people and wanting to do whatever I can to make a difference. I have always been very adamant about jumping in to do whatever I can do to help. I used to get in trouble for being at protests super late. I remember the day before I was supposed to leave for college moving to Chicago I was at a protest. When everything was happening she was like ‘you better not go’ and so when Karlie mentioned planning one I was like I don’t have to go to one, I’ll just plan one. 

KT: We’re also both very passionate about defunding the police and the abolishment of the prison system. Especially the defunding of the Chicago police... which is 40% of the budget. They defund schools, they receive $5 million dollars a day. Some programs only receive 1 million a day. We’re huge on defunding the police and reinvesting the money on community health programs and CPAP...like if you’re in a domestic violence situation and someone in the community is better equipped. We’re also obviously big on making sure Black lives, and Black trans lives are represented and funded. 

100% agree. We don’t need to put ourselves in these situations where you could have mental health professionals being the responders. Elijah McCain is the perfect example. There are certain jobs people should have, and certain jobs that should be replaced.

LB: It’s the simple fact that if we’re looking to lower crime, investing in the police department isn’t going to do that. It’s investing in health care, schools, businesses, housing, recreational, food. Stuff that matters. 

KT: To bring it back to skateboarding, we could use that money to aide in bringing skate parks to the South and West sides [of Chicago] as an outlet. 

I do think though what you mentioned before it is so important to plan things correctly and intentionally. It’s important as an ally to think about the situations you’re putting people of color in when organizing events. What would your advice be to white skaters when they witness racism in their community? 

KT: Call it out right then and there. White people don’t listen to people of color like they listen to their own kind. Having conversations, challenging people. Before you do any of that, educate yourself. A simple Google search will lead you to so many resources. There are so many resources online. Don’t ask people of color to educate you. That’s asking the person you traumatized to give you therapy. Sometimes as a person of color you can’t say how you feel...it might be your boss or whatever. Just think, would you want someone to do this to you?

LB: People always tend for the one person of color to speak for the whole community. 

KT: It’s also incorrect. Talking to me five years ago, I would have said so many wrong things. We all have different experiences and the Black experience is not synonymous with everyone. Also, we can’t speak for everybody. It’s important to do your own education. 

Even having this conversation, listening is so important and it’s great to not assume you’re not the smartest person in the room or the best ally in the world.  Changing the subject– all these initiatives you have whether it be protests, watching a movie, everything you guys do really builds this community and it’s so ingrained in your DNA. What are you looking to do in the future with FroSkate? 

LB: Our drive comes with naturally wanting to hang out beyond the skate park and be a family. We love each other. We have people who want to support us who don’t skateboard or are white-cis men. We want to create those spaces where we are supported. We just want to do fun cool things and I am not sure about too many other POC skate crews so there aren’t really rules or boundaries to what we have to do. We make up the rules as we go. We’re going to be having a mural project that we’re painting on the South side. We’re hoping to have an even there, pop up skate park. 

KT: We want to go to Japan, we’re all taking Japanese classes. We’re trying to get a legitimate indoor space and skate parks on the South and west side. We’re about to do a zoom discussion with a bunch of other skateboarders who are BIPOC, queer and trans and talk about how we can stay a community and make skateboarding better overall. 

That’s really incredible. I think hopefully people read how you’re developing such an open dialogue because it really seems like the key. 

KT: That’s one thing I love about skateboarders. People argue about skateboarding always being inclusive which in some ways it is true. It doesn’t matter what you look like but we are very familiar with fighting back to rules and rule breakers. We push societal norms and cheer people on. There are a lot of people who are open minded and who are actually down to figure out how and when and where they can make skateboarding and the world better. 

How can anyone reading support froSkate? 

KT: We have said before, monetarily that helps. We’ve met so many people who have talents and connections that if you feel like you can help us, send us an email with specifically what you can do to help us grow. If you can connect us to someone who can help us get one step closer to a goal we’re trying to reach... connections are more valuable than money. 

LB: Support. Sharing with the world that we are here. Educating people on ways skateboarding hasn’t been inclusive and people who have been excluded. Letting the world know we need and deserve to be seen. 

KT: Highlight us. I want to see more parts of Black skaters on major publications. We follow a really good amount of amazing skaters that there’s no reason your feed should be white cis, white cis, white cis. If your feed doesn’t look diverse, you’re the issue. 

 Even showing skaters of different levels is encouraging. 

KT: Oh that’s a big point. Diversity of levels. A lot of people get so upset about ollieing. It’s hard for me to not get discouraged because I have been trying for a year. Sometimes I see people jumping down the craziest stuff and I’m like ugh what is the point, not really but. 

LB: That’s 100% where representation comes in too. We’re out here developing. It’s not about the intensity on board or how long you’ve been skating for. 

There’s proximity, community, resources, accessibility. Everything is full circle. Funding, accessibility. Lastly, what would you say to someone who wants to start skateboarding? 

KT: Do it. Try to be consistent. The biggest thing for me is that I am a quick learner but skating is the one thing for me that has taken ages to learn. 100% of the time you’re not going to get something in one day but tracking your progress is huge. It takes months to even start to feel comfortable or even start having fun.

 LB: Try to invite friends even if they’re not interested in skating to just come and hang out. Sometimes they’ll start to skate with you. Maybe post on social media or like in Betty print out flyers and have a meetup. Don’t take it too seriously. Skateboarding is about having fun. I’m not trying to go pro. That’s fine too. We’re trying to dead poser culture. If you push on a skateboard, you’re a skateboarder. 

KT: It’s mad important to drop all that shit. Everyone starts somewhere. It’s never too late. 

Inside the Artwork: With Proper Gnar's Founder, Latosha Stone

If anything 2020 has taught us we can all do a better job supporting Black owned businesses. With many resources such as The Black List going around the skate community, one brand that always stood out is Proper Gnar. Latosha Stone's artistic point of view bring a fresh and powerful perspective to both skateboarding and the way women of color are depicted in artwork.

This article and illustrations appear in full exclusively in Quell Skateboarding Issue 006 – Buy a copy here.


Where did you grow up?

I grew up in the midwest in a really small, honestly a hick town. I was one of the only Black families there until high school which definitely had an effect on my life. When it comes to skateboarding I started in 6th grade and was the only girl on a block of all boys and my neighbors had a penny board and I just went from there.

I always feel like that’s how it happens. 

I also played the Tony Hawk games and stuff. I had the N64 and it was one of the first games.

I’m excited to see the new one.

I have been seeing so many screenshots and stuff for this. 

So many people also say that’s how they got started in skating. I guess there are two questions. You design clothes and graphics for skateboarding. What came first, drawing or fashion or was that all a natural progression.

I started with the clothes first. I have been an artist for as long as I’ve been skating but I didn’t get the idea to put it on clothes until later. When I started I was like let’s just do clothing that is streetwear skater inspired and then the decks came afterwards.

I think my line is both skateboarding and streetwear now. Within the last year it’s been more boards than clothing.

I saw one of your graphics on Instagram that is like you came here for the boards but the clothes are cool too.

Yeah that’s because I’m so behind on getting decks out so just buy the clothes for now so I can get caught up.

You’ve been mentioning that you’ve gotten a lot of publicity lately and when I first was thinking of what to ask you I was going to say how is COVID 19 affecting your business but then I thought more and was like that’s absolutely not the right question because you’re doing so well that it’s almost detrimental.

It’s affecting it in a good way. Skateboarding all over is blowing up right now. The guys who print my decks are so far behind. I have barely been able to get restocks for the holidays because the whole industry is growing so much because of COVID. It’s not just me, it’s everybody.

One thing that’s happened to me, every interview has brought up Beyonce

I was going to bring it up only from the standpoint that it’s more interesting because I remember you mentioning how that’s affected your production and how publicity has really had an affect on your business. Not like what do you think of Beyonce? What is going to say about Beyonce.

It’s so weird how many meetup requests we’re getting too. We’re still in a pandemic but it’s such a crazy time that people are discovering skateboarding and brands like yours.

I’ve had the same thing with events too. We were doing monthly events and this year we haven’t done any. I have one in a couple weeks with Black Girls Skate and it’s the first thing I’ve done in months.

I know other people that are hosting things but I’ll let you be the gate keepers. Obviously your platform has grown so much. When you start posting these events hopefully that gets more of a turn out but also the pressure is big because of the pandemic.

I definitely don’t want to get anyone sick.

I wanted to talk to you more about the skate scene in Dayton. I love that there are communities popping up everywhere.

Where I grew up there wasn’t much of a skate culture. We had to work so hard to get a park here and even still I never have been able to do an event in my hometown because the city is so against it. Rob Dierdeck is from Dayton so we have really nice parks. When it comes to the culture it’s not as diverse as other places but very cool. Still mostly dudes though.

When we first spoke, we talked about acknowledging beginners in skateboarding. How do you encourage beginners to keep skateboarding.

I just try to keep having the events and like the way I interact and encourage people at the park. Showing them that it’s okay to be a beginner. You’ll go to skate park and you’ll have people look at you to see if you can really skate. Just be nice to other people.

It’s way more underrated to not pass judgement. I know you also sponsor skaters, how do you choose these people to sponsor?

I don’t really do contracts or anything like most major brands. Part of it is how good you are but also your personality and what you do in your community. Most of the girls I partner with have their own skate clinics in their own area. That really caught my eye. 

It’s so important as a brand that the people you give things to are representing your brand.

I also try to sponsor women of color for sure. I know a lot of brands care about followers, but I don’t really care about that. It’s really about them as a person.

That shows much more authentically. Between your artwork and brand, I haven't seen the ways you highlight and uplift Black and Brown women in other brands. I wanted to talk to you more about how important that representation is and how you develop and grow that relationship with Proper Gnar?

It’s super important. It’s one of the biggest inspirations behind what I do and why I keep doing Proper Gnar. As far as I know there are really only two Black women professional skaters and I am trying to work to change that. Just women in general, a lot of skate brands have women naked or in a bikini and I try to show women doing different things. I have gotten that so much lately with moms and younger women that they are happy with our representation. I want to keep that going.

Your style obviously pulls from anime references in a lot of ways. With the brand hookups for example, that’s not empowering to women. It’s night and day to your style. It just shines a better light than sexiness.

I do like hookups but I totally know what you mean. I have my anime style drawings and I also have my portrait style drawings.

How has your style changed since you’ve started?

I feel like I’ve gotten better at art. I don’t really even like our older designs. I definitely have come into myself as an artist. I am refining my style and I have started doing what I want to do instead of what I thought people would like. I put what I want to see on clothes and boards.

I’m sure that resonates so much with other people because they see that passion. What are some of your favorite things to create?

I love the fantasy type stuff that I draw.

You have such a variation of style but such a clear point of view. There’s something for everyone that’s interested.

I have a lot of different styles. I am always experimenting with new styles.

What are some of the challenges you’ve learned from owning a business?

I think my main thing would be not giving up. There have been so many times I have thought about quitting and what has happened in the last couple months wouldn’t have happened if I had quit any of those other times. There are so many different aspects. When I started I wanted to help women skaters but also wanted to live on my art. There is so much more work when it comes to the business side and as an artist I don’t want to do that, I just want to do the art. I have had to find trustworthy people to hand this stuff off too.

I ran everything myself up until two months ago and I have a team of three other people.

I’ve heard interviews before with brands that celebrities wear and then they grow from like in your example, 20K to 60K overnight. That can almost kill your business. 

You have to be ready. I’ve seen that a lot in my business groups on facebook. They always say don’t pray to go viral if you can’t handle it. It’s super stressful.

But it’s really awesome that you can grow and maintain that because we need brands like your brands with a different point of view in skateboarding. How do you see your brand in comparisons to other brands that are out?

The art, the owner, the support, the demographic of people that I support and work with. 

What are some future projects that you’re creating?

I have a collab with Black Girls Anime coming up. I’m also collaborating with other artist friends. It’s just all of my favorite things in one. I’m also trying to do a halloween collection. I’m always trying to expand the girls that I sponsor and adding more people to the team. A girl in LA and I are working to set up clinics out there for Proper Gnar as well as in Dayton.

That’s awesome. It’s definitely expanding and growing. Do you find that there’s a connection to artists and skateboarding?

Yeah definitely. Every skate brand has their own style. So many people do insane grip jobs, and like I don’t know why it goes together but it just does. Every skate event I’ve done here we’ve also done an art gallery.

What is your favorite anime?

That’s such a hard question. I would say Jo Jo. The guys are really hot. The artist style and colors, I love that. Elvin and Lead is one of my favorites. Darling and the Franks. Sailor Moon, I grew up on that. 

What brand did a whole Sailor Moon thing?

Primitive! My finance bought one of the shirts for me. I got my daughter into anime and I have Sailor Moon VHS’s as well.

What advice do you have for someone that wants to start skateboarding?

Don’t let people discourage you. Just because you look a certain way or are a certain gender doesn’t mean you wouldn’t be good at it. If you’re nervous, watch some videos and practice out back. Don’t give up on it. 

And buy a Proper Gnar board for your first skateboard.

BTS “Behind the Lens” with Norma Ibarra

We were so fortunate to publish a series of incredible skate travel photos from Norma Ibarra. Even more fortunate, Norma has been positing some behind the scenes of her “Behind the Lens” interview on Instagram. We wanted to gather a couple of our favorite clips that really capture how she sets up a shot. We swear…no pun intended.


Breana Geering Nose Manual

@breezeana Nose Many to Nollie Tre from a while back in Indonesia and as part of my interview in the new issue of @quellskate. 📽: @sirusf

Itzel Granados

Right before this spot was gone I got to shoot this photo of @itzelgrnds that Is now printed in the new issue of @quellskate. I took the photo during the making of one of @vice + @vans video series by @nat_johns.

Alex White

It’s kind of crazy you can see the exact moment the flash goes off when @thealexwhite drops in.

and a bonus! Norma had footage of another image of Marbie Miller that was published in the body of the magazine.

Double exposures with @marbie.princess.

If you want to see more, shop a copy of Issue 005 right here.

Follow Norma on instagram.

Legends Live On: An Interview with Jaime Reyes

Jaime Reyes is arguably one of the toughest people in skateboarding.

At the height of her skateboarding career in the mid 90’s, you could catch her breezing down Lafayette with the Supreme squad, or doing kickflips in the Rookie loft with Lauren Mollica and Lisa Whitaker.  We had the pleasure of interviewing Jaime Reyes on our podcast about her skate beginnings and career in the 90s and early 2000s. After getting to know her more and more since the podcast, we wanted to catch up with Jaime on what skateboarding means to her now and her plans for the future.  We invited Jaime to Brooklyn for a whole weekend to find out.

While we already know Jaime is a badass, we were impressed when we witnessed her push through a stomach bug (we’ll spare the details) on a humid, 95 degree Saturday. She busted out a pivot to fakie on a crusty bank and promptly re-named it the ‘puke to fakie’ - a true legend.

Jaime played a little backseat DJ, made a necessary fried chicken stop a la Harold Hunter and never missed a Yankee’s score update. She even admitted she has 23 blue Yankee’s fitted hats (the brim color changes, obviously). But what stood out to us even more, was that Jaime made sure we felt as good about skating the spots as she did, even pushing us to land our tricks before moving onto the next spot.


Kristen Scalise: I don’t want to call it a comeback, but it feels like you’re making a comeback to skateboarding. I don’t know if that’s more because of social media. Have you been actually skating more recently?

Jaime Reyes: I’ve been skating for the last three years. I went on a seven year hiatus. 2009 I just went into a dark place after my pops passed away. When he passed away I completely stopped skating. I had been miserable for seven years. Three years ago, I was like ‘you know, I need to skate because that’s what always made me happy.’ So yes, I’ve started skating.

KS: And do you feel happier?

JR: Fuck yeah. Relearning some stuff gets frustrating but hey if I did it before I can do it again. It’s all part of skateboarding and I love you skateboarding.

KS: It doesn’t matter.

JR: It doesn’t matter because I fucking threw down some shit.

KS: Laughs you paid your dues.

JR: It’s like being in a union. I paid my dues and I fell today hard. Still paying dues. 

KS: What’s the union?

JR: The skate union. You know, like union workers.

KS: Get that insurance.

JR: No yeah, I love skating. Trying to be the best I can at it. I’m slowly getting all my stuff back. Flipping the board, jumping on ledges. I’m not going to jump down handrails and stairs anymore.

KS: What tricks are you trying to get back next? 

JR: Everything, I just want to skate. Darcy [Jaime’s Partner] said I was way happier now that I’ve been skating. I mean I built a fucking mini ramp– sweat, blood, tears and empty pockets!

KS: Does she skate?

JR: No. She’s the complete opposite of me. I am so much happier and better of a person when I get to skate. 

Adrian Koenigsberg: What about skateboarding really makes you feel that drive and that love?

JR: It’s a feeling you can’t describe.

KS: I can’t imagine trying to describe that too. You’ll know it.

Abi Teixeira: It’s just you on
that shit. 

KS: That’s something I love about skateboarding. You go and do something by yourself but with your friends.

KS: Do you think your love for skateboarding grew over the years, or was it love at
first sight?

JR: I think it was love at first sight. When I stepped on a skateboard I was like dude I love this. I ate shit, I still love you. It’s like my best friend. I call it my purse because I carry it everywhere.

AT: How long have you been
skating for?

JR: Since ‘92. Before you were born probably. I got the cover [of Thrasher] when you were in your dad’s nut sack.

AT: What year? 

JR: ‘94.

AK: That’s the worst way to phrase that. Laughs.

KS: Jaime what are you
scared of?

JR: I don’t know. Disappointing someone, or people.

KS: That’s a real fear though. Not as good as butterflies [Adrian’s fear]. I’m also afraid of that.

AK: Yeah I’m all about the crippling anxiety of disappointing people.

KS: You probably have it worse than I do. Laughs. This is an out of the blue question: Max Fish then versus now.

JR: I miss the old Max Fish, but I am grateful it’s still around!

KS: I feel like Max Fish is not only a bar but a spiritual place.

AT: What’s different about it?

JR: To me it was more of a dive bar. Now it’s a little more clubby. For the most part the peeps are the same. I love going to Max Fish when I am in town!

KS: I can’t think of any other place that is a more open arms place to skateboarders. If you’re a skater you have a home at Max Fish.

JR: When I go to Philly I go to Tattooed Moms. It’s just like that.

KS: What do you think about the skate scene in Richmond? [Where she currently lives]

JR: In Richmond I go to my friend’s house called The Lost Bowl, and it’s awesome because he has a transition park in the backyard and the front yard he has a slappy curb. Thank you Pat Lowry. I learned how to slappy on that curb, it’s awesome. There’s a planter on the front curb. He built all that stuff. Look up #TheLostBowl.

KS: Why did you like the Seaport Ledges so much?

JR: I don’t know, they were dope. There were the old wooden benches and they put the metal corner coping on the ledge. The ground was so smooth.

KS: What’s your favorite trick you got on that ledge?

JR: The switch backside 5-0 and the switch back tail line. That was probably my favorite.

KS: What do you think about skating in Brooklyn?

JR: Everything is all new to me here. Obviously these spots weren’t here when I was skating back then. It was cool.


AK: Do you feel like a lot of Manhattan spots have changed since you skated them?

JR: Hell yeah! There are like 20 Manhattan spots parks now. Back in the day it was just Riverside and the one on the West side and like Canal Street. Before they re did the LES park, it was so bad before. 

KS: Do you use wax?

JR: We talked about this. I shellac a curb.

KS: What is that?

JR: I buy these spray paint thing, and when you gloss up the curb it’s so much better.

AT: You don’t need that in New York, with the metal and shit.

JR: Yeah but did you see that spot where I did the nose slide? That has so much wax on it.

KS: People love wax in New York City.

JR: Jaime points to a three inch scar. This is why I don’t like wax.

KS: What happened?

JR: Someone waxed a
metal curb.

KS: Oh cool.

JR: Metal. Angle. Curb. I slid out and caught the corner. I had to get 20 stitches and 5 internal stitches. This was recently.

KS: I’ve never heard of internal stitches.

JR: Go look at the photo.

KS: I don’t want to look at your injuries anymore.

JR: It was so bad that the doctor thought I got bit by a dog, and I kept skating, drove home and I told my girl that I had to clean my arm up… I didn’t know. It was cold, so it must have been the fall and then blood started dripping down my arm. As soon as I took my long sleeve off, she was like you have to go to the ER now.

KS: Oh my god.

AK: Is this going to make me so nauseous?

KS: This looks a lot like the steak picture next to that post.

JR: That’s a prime rib by the way, that I cooked to a perfect medium rare, it was delicious.

KS: You earned it with those
stitches yo. 

JR: I didn’t know the whole time. The doctor was like you drove from Richmond to home, an hour, and back. Yeah, I didn’t take my long sleeve off. He was like ‘you didn’t feel that?’. He thought I was crazy.

KS: It is crazy! We skated around all weekend and you definitely skoached me.

JR: Yes, I would like to be an Olympic Assistant Skoach. Mimi Knoop, holla at ya girl.

KS: Can we start a petition? Like the Alex White Petition? It does make sense to have a park skoach and a street skoach.

JR: I would love to be a skoach.

KS: What do you like about skoaching?

JR: I just want to get people hyped.

KS: I think you’re really good at that. You really pushed me today, and I could see how you can push someone who really has skills. Laughs.

JR: I recently skoached some kids last weekend. That was fun.

AK: Do you feel like that just comes naturally because you’re interested in seeing other people skate?

JR: I am interested in everyone having fun. If they want to learn, I’ll skoach the shit out of you.

KS: Can you tell if people want it?

JR: Yeah. I hate “I can’t”. Fuck it, at least try. I think that’s probably the most important thing in the skoach. It’s not that I can’t do that, it’s I haven’t done it yet. You at least haven’t tried.

AK: I think that’s cool though, that that’s your approach to it. Especially because you don’t have to be that person.

JR: I can tell, if you want to learn, I will be your hype woman. I am going to be so hyped when you land it.

Abi T: It’s always good to have that one person.

KS: You’re hyped for yourself but you kind of feel like you did it for that person too.

AT: That shit does get me hyped. 

JR: You did a kick flip today!

AT: I tried.

JR: We all made you do a rock to fakie. 

AK: What is one of your favorite Skoaching memories?

JR: Having them land it. Everyone landing that trick. Their reaction is priceless, they’re so psyched. It doesn’t matter what the trick is.

KS: In the car, we were talking about music. Favorite song you’ve ever skated to?

JR: Gloria Estefan, Falling in Love.

KS: You said your friend Darin put the retrospective together. Who is Darin?

JR: Darin Lee is a dude I grew up skating with in Hawaii. He filmed 90% of my Hawaii stuff.

KS: What’s your favorite type of music?

JR: I like everything. Cage the Elephant. Modest Mouse. When in Rome. I loved Jay-Z’s first three albums. I used to always skate to the Pixies back in the day. Smashing Pumpkins were my favorite growing up. Let’s listen to Mayonnaise right now.

AK: How do you feel when people are making retrospectives of you? Or talking about your career in the past tense, even though you’re still here and still active.

JR: I guess it should bug me but I am just here to skate.

AK: I don’t mean to get in your head.

KS: If you’re here to skate and have fun, why should it bug you? Do you think social media has influenced skating?

JR: It glorified skateboarding. I don’t know if that’s the right word but you see more skateboarding now through social media period.

KS: Totally. Do you interact with skateboarding differently since joining social media? 

JR: I’m not sure. There’s a lot of good fuckers out there.

KS: Do you wish there was social media in the 90’s.

JR: No.

KS: I wouldn’t either

JR: I came up without it.

AK: The only reason I would wish there was social media in the 90’s is so that I could see better quality footage of the people that I really haven’t gotten to see.

JR: If there was social media in the 90’s, I think I spoke about this before, there would have been a lot more girls out there that we didn’t know about.

KS: Do you think there are more girls out there now because of social media?

JR: Oh yeah.

KS: What are some current skaters that are crushing it?

JR: Everyone’s killing it. Everyone. There’s too many to name.

AK: To go back to our social media question, do you think there’s a combined stoke that is pushing everyone?

JR: Yeah I think so.

KS: Do you think people are just as hyped to see it on social media as they are in person? Like I can see my friends land a trick in Australia.

JR: Yeah if you have a heart, you’re fucking stoked. You should always be stoked to see someone else land shit.

KS: This might just be because of my radar, but you’ve been at a lot more women focused events like Wheels of Fortune, or the SK8 Babes meet-up. Have you always attended women’s meet-ups? Is that something new?

JR: I go to wherever, whenever, whoever flys me out. Thank you to those sponsors!

KS: Are you seeing more women’s skate meet ups as
of late?

JR: Yeah in the last few years, there are more women’s events than before. It’s definitely due to social media and it is a positive thing. I don’t care if you’re brown, yellow, green, dude, chick…just skate.

AK: I feel like if you feel comfortable about the people you’re with, it’s such a good feeling.

KS: That’s what really interests me about you [Jaime] and interviews with Elissa Steamer. You are two people that have just stuck out to me as like ‘yeah I’ve just always skated’. I think there’s a personality type that is you and Steamer that is like ‘I just love it so I did it.’  I really connect with that feeling. I’m just going to show up to the park and you can just wait for me, I don’t care about how slow I’m going, I’m learning. I think that’s super sick.
    Anyway, there’s been a few movies featuring skateboarding lately, such as Mid 90’s. How do you feel about how people are portraying skateboarding?

JR: I think that Mid 90’s did a great job. They didn’t glorify skateboarding. They showed both sides, that everyone has their fucking problems. It reminded me of when I was in the 90’s growing up skateboarding.
     We all were coming from fucked up backgrounds. There were only a couple of us whose parents are together. I identified with Mid 90’s. It was the crew I grew up with.

KS: I do think the perspective they took was cool.

JR: You know, skateboarding really brings all types of people together.
     That’s a beautiful thing. 


Behind the Lens: An Interview with Photographer Zorah Olivia

Zorah Olivia is probably responsible for your favorite skate photos.

She’s a tour de force in the skate industry, covering everything from: the X Games to the upcoming Olympics and goofy portraits of our skate icons. Zorah’s crystal clear style stops each moment so perfectly. This photo series from the 2019 Dew Tour offers a snapshot of what Zorah captures best. We sat down to talk the contest, Zorah’s life, and everything skate photography.

Photos by Zorah OliviaA version of this interview appears in Issue 004 of Quell Skateboarding. Buy a copy online here.


Can you give us a brief history of how you started skating and shooting?

I started skating when I was 10 years old. I remember watching my cousins play Tony Hawk’s Pro Skater and I was hooked. I’ve honestly always been shooting photos. Both of my parents are photographers, so I grew up in an artistic household.  Naturally at first as a kid, you want to do the exact opposite of what your parents do, so skateboarding was my main focus for years. It wasn’t until I turned 16 that I really started taking photography seriously. 

How do you think going to Woodward for skating and for photography has influenced your approach to skateboarding and capturing skateboarding?

Going to Woodward as a kid absolutely shaped who I am as an individual, skateboarder and a photographer. Woodward was the first time that I was exposed to other female skaters. I felt free and able to fully be myself. When they introduced the photography program to camp in 2009 my entire world changed. For the first time, I was given access to top professional skateboarders, the best photography equipment, and real life photo scenarios. To this day, I’m still incredibly grateful for that time in my life.

Often skate photography is just about the ‘spot’ as it is about the subject or the trick - can you talk a bit about how you approach skate spots and angles?

The majority of the time, skaters and filmers introduce me to spots, so when I go out with them I’m seeing everything for the first time. You can make a creative image out of any spot, it’s all about using your eye to pull the best qualities out of any location.  The key is to pay attention to the details, colors, textures, and human elements. 

What’s your ideal setting for taking skate photos?

A spontaneous phone call from a friend, meeting up for iced coffee first, and exploring the city for unusual spots. It’s all about being spontaneous for me and my crew. 

Do you approach street, park and contest photos differently?

Street definitely comes naturally for me, park and contest shooting is always a necessary learning experience. I just observe first and pre-visualize how I want to shoot the skaters desired trick. Contest photography is more so about getting as much content as you can in a set amount of time. 

How did you get involved in shooting contest photography?

Contest photography was actually my first true introduction to the skate industry! In 2016, I emailed Kim Woozy from Mafia.TV and asked about internships. She emailed me back and really liked my portfolio. We ended up talking on the phone for over an hour. On that same first phone call, Kim invited me to shoot the X-Games in Austin, Texas! She flew me out to Seattle, WA first to introduce me to the female skate community. That was my first time at Wheels of Fortune, so officially WOF was the first time I shot a skate contest. 

Specifically, what were some of the exciting parts and some of the challenges of shooting this year’s Dew Tour? 

My only challenge with Dew Tour was gaining access to the course to shoot with the girls. But I did end up meeting a lot of amazing people who helped organize Dew Tour that want me to officially shoot for them next year!  The most exciting part about Dew was seeing all of my friends in one place. That’s what we all love about contests, no matter how much pressure we all feel, we’re just thankful to be with each other. It’s like a big family reunion.

How did you approach photographing practice versus the contest?

During practice, I always try to get as much action content as possible because on finals day they absolutely won’t let you anywhere near the course. Finals day I focus on the individual skaters, their reactions with not only themselves but with everyone else. I just want those viewing my photos to feel how they felt that day. 

If we came back from the future to tell 14 year old Zorah that when you get older you’ll be shooting some of the biggest pro skaters in the world, how would you react?

I probably wouldn’t believe you! But that would have saved me years of worrying about my future.

We heard, from you, that you’ll be shooting at the Olympics, would you like to share a little about how you got the opportunity and how you’re preparing for it? 

Yes! I recently signed with FujiFilm. I’m incredibly grateful for their support. I’m currently working on the early stages of a photo series leading up to the Olympics. More details coming soon! 

What’s your advice for people who want to get into skate photography?

Practice, be vulnerable and fully put your heart into your work.


From the Mag: Las ChicAZ en Mexico Trip Recap

The “baddest babes in the skate scene” are on fire. Las ChicAZ take us on a visual adventure to Baja that will have you wishing to join their crew.

A version of this interview appears in Issue 004 of Quell Skateboarding.
Buy a copy online here. Photos by Natalie Krishna Das


“Who’s got the lid to the tequila bottle?! ” yells Courtney Ramos across the 12 passenger van that is bouncing across every bump on the dirt road to Cuatro Casas. 

“Pee break!” As Cristal Taren pulls off the highway at full speed, everybody laughs so hard until tears are pouring like dew rolling down an ice cold can of Helton beer (who sponsors this crew on their adventures). They had made it to Mexico!  

Rena Accetta takes the first barefoot hill bomb on the side of the road. The stoked sets in!  That anxious feeling of skating a new spot fills the hearts of the whole crew as they jump back in the van to get to Cuatro Casas!

After an excruciating 14 hours of traveling, all 13 members pulled up to the sign of the hostel. Cuatro Casas is a Mecca of a skate and surf trip deep in Baja. It’s frequented by Tony Alva and is famous for its pool coping from the Dog Bowl from Lords of Dogtown. 

As the Las ChicAZ ripped out of the van, some were drunk, some were tired, some were ready to shred!  The sound of pool coping grinds sparked the tone of the next three days. Las ChicAZ had arrived. 

In between surfing, riding dirt bikes, yoga, and bonfires with karaoke, the girls found time to be in a couple commercials that were being filmed by a few companies who were also staying at the hostel.  Natalie Krishna Das (crew founder) grinds the deep end and knocks over two bottles of Gnarwhal Coffee as the film crew gets the shot in slow motion. 

They had ten ladies present and three dudes with the crew. Everybody had an epic sesh. 

Celebrating a Legend: Quell Issue 004 Party Photo Recap

The most wonderful time of the year has finally come. On September 28th we released Issue 004 of our magazine with a party at one of our favorite bars, The Flower Shop. Our cover star, Jaime Reyes herself came through to christen the mag, and signed copies for everyone. Even Lizzie Armanto couldn’t help but snag a signature.

We enjoyed the awesome alcoholic kombucha, Junshine, and honestly had one of the most packed parties yet. Our DJ Carli Nicholas held it down for the night. Lots of legends in the room– The ladies of Skate Kitchen joined us off the wrap of their show, our fave Leo Baker and some even spotted birdman himself, Tony Hawk. We ended the night with a raffle, thank you to Nike SB !

Thank you to everyone for coming and making Issue 004 happen.